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LED/LCD/铅珊测量
颜色色度测量
浊度/比浊测量
表面反射测量
环境/水质测量
颜色的故事
 

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颜色故事的序言
颜色的三元素
蒙塞尔色彩体系
颜色的识别过程
光的谱图
颜色的三维空间
什么是UCS?
颜色容差示例
变色的评估
 
ISO9001:2000

颜色的故事

Color Story

Supporting a Whole New World of Rich Sensibilities

  Virtually everything has color, shape and texture - the bases of the formative arts. The high-quality, high-definition color television sought by the mass media promises to open a whole new era of enhanced sensations. This is the latest stage of an evolutionary process, a qualitative development from audio information of radio through the black-and white shapes of primitive television to video information of modern televisions, adding color to shape. The process has brought us to information-rich age in which shape and color information is being complemented by improvements in the quality of information, rendering textures.
Everywhere, we are surrounded by color. From the furthest reaches of space to the depths of the sea, there is nothing without color, and it is surely vital that we should see and perceive colors accurately. Yet, the Japanese saying “ten people, ten colors” suggests that we may all see the same color differently. Our color sense is affected by our emotions, so that ten people may indeed see the same color in ten different ways. How, then, can we can convey accurately to others our color perceptions? The “red” I have in mind may not be the same as that in yours. And this dilemma is by no means limited to color perceptions. When we include the texture of the object we see, the problem of conveying this impression are even more difficult. To convey colors accurately to anyone, at any time, we need to express colors using a painstaking means of standardization that covers each and every condition.
   
上次更新时间:2014年03月21日
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